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EZO | Oct 1–15, 2025

Saphira Ventura Gallery and vozes do mundo Presents

Art Residency and Solo exhibition by EZO

On View: Oct 1-15, 2025

ABOUT THE EXHIBITION

“Upcycled Factory” is the first solo exhibition by artist EZO, recognized for transforming discarded materials into art and showcasing the everyday life of Rio’s suburbs.

“Upcycled Factory” is the first solo exhibition by artist EZO, recognized for transforming discarded materials into powerful social commentary and visual poetry, in New York. Curated by Alcinda Saphira and Mariana Bahia, at Galeria Saphira & Ventura, urban waste crosses the Atlantic and is reborn in the hands of contemporary visual artist EZO, a native of Nilópolis, a suburb of Rio de Janeiro.

“EZO’s work aligns perfectly with the gallery’s contemporary vision, addressing themes such as urban life, identity, and street culture. His aesthetic—which blends discarded objects with the everyday reality of Rio’s suburbs—offers a fresh and innovative perspective,” notes Alcinda Saphira, curator of Saphira & Ventura Gallery.

The choice to present Ezo’s work in New York reflects an appreciation for his talent, which emerges from specific cultural contexts, employs elegant geometry, and works with vibrant colors that possess universal resonance. This is an important moment to highlight the diversity of voices in contemporary art, especially those originating from the suburbs of Rio de Janeiro, which often remain marginalized by traditional art circles. Furthermore, the gallery seeks to strengthen cultural exchange between Brazil and New York, fostering a dialogue between different urban and cultural realities.

New York audiences, with their vast experience in diverse urban and cultural narratives, identify with Ezo’s work, recognizing universal elements of urbanity, resistance, and identity.

The aesthetics and stories conveyed by Ezo reflect experiences common to global cities—such as the search for expression, belonging, and social transformation—even though his specific references are from the Rio de Janeiro suburbs. Thus, his work serves as a bridge connecting diverse urban realities, fostering empathy and understanding.

The gallery identifies in EZO an authentic voice, with global relevance and the potential for dialogue between distinct urban communities. The current moment in the New York scene values peripheral perspectives, urban imagination, and social critique, making EZO’s exhibition particularly timely to expand the diversity of voices in the program.

The exhibition runs from October 1st to 15th, opening on the 2nd, from 6 pm to 8 pm. From September 19th to 30th, the artist’s immersive residency will take place at Saphira & Ventura. On the 9th, Ezo will meet with journalist and critic Peter Ortega, who will discuss the artist’s work, with the presence of other curators and artists, the public, and the press.

 

Curated by: Alcinda Saphira (NY) and Mariana Bahia (BR)
Produced by: Mariana Lemos
Supported by: Instituto Bienal Amazônia (IBA) and
New York International Contemporary Art Society

about the artist

Ezo rewrites what has been discarded. CDs, vinyl records, laser discs, and awnings reappear as surfaces of color and texture, revealing layers of urban memory. His practice of reuse transforms precariousness into power, critique into beauty, and political gesture into visual poetics. What the city abandons, the artist reconfigures as narrative and body, restoring the material a sense of permanence.

Here, the public is invited to see up close the scars of materials, fragments that become images, residues that become futures. An aesthetic of survival that insists on creating beauty.

Instagram: @ezo_art_

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Giovanna Gomes| Sept 3–15, 2025

Saphira Ventura Gallery Presents

Occult Surfaces: Geography of the Invisible

Solo exhibition by: Giovanna Gomes

On View: Sept 3–15, 2025
Opening: Wed, Sept 3 | 6–8 PM

ABOUT THE EXHIBITION

Occults Surfaces — Geography of the Invisible presents a photographic investigation that invites the public to traverse the folds of the city, where the invisible reveals itself as a sensitive geography. From a transformative fifteen-day residency, Giovanna Gomes emerges as a narrator of contemplation: she does not merely record what is seen, but requests a presence that allows the eye to perceive new layers. 

Curatorship and mentorship by Alcinda Saphira, in partnership with the New York International Contemporary Art Society and Saphira Ventura Gallery, with the support of Instituto Bienal Amazônia, articulate research, career guidance, and curatorial practice, gathering curators from diverse institutions and a public witness to the experience of observation.

Designed to inhabit the tempo of the city, the exhibition moves from the poetry of abstraction beyond a regional vocabulary, expanding the North-Northeastern tessitura to the metropolis of New York. Silence, materialized in stone, water, pigment, and shadow, gains a voice and reveals what lies beneath the surface: the city is not merely seen; it is felt — in the furrows of light, in the insinuated absences, in the tiniest details that insist on not disappearing. Thus, the visible becomes memory, the ordinary becomes poetic coincidence, the concrete becomes possibility.

Hidden Surfaces is a tribute to the patience of looking: what waits, what slowly reveals itself, and, in doing so, transforms the observer. The exhibition invites the public to traverse the city’s folds, not only to see but to inhabit the texture of the invisible, where time, materiality, and imagination converge to sediment meaning. May the aesthetic experience offered by the show dialogue with the body, with time, and with the courage to see beyond the immediate, providing a sensitive reading of the urban and a reverberation between what is visible and what is felt.

about the artist

Giovanna Gomes is a Brazilian visual artist whose practice unfolds at the intersection of ancestry, memory, environment, and abstraction. Born in the Northeast of Brazil, she draws upon Black and Northeastern heritage as both subject and method, translating lived experience into a visual language that insists on presence and resists erasure. Her work engages with the materiality of the world—stone, soil, water, glass, and urban surfaces—transforming them through color and form into radiant abstractions. 

These images are not descriptive documents but acts of invention: matter becomes metaphor, and texture becomes a site of imagination. In this process, Giovanna situates photography beyond its conventional function, opening it to the realm of the poetic and the political. Guided by the environment, her practice embodies what might be called a political abstraction: a mode where natural and urban fragments are reconfigured into chromatic fields that expose the tensions between visibility and invisibility, history and future, fragility and resilience. 

This abstraction is not an escape from reality but a confrontation with it — foregrounding territories and bodies often relegated to the margins while asserting their centrality in a global artistic discourse. Giovanna’s work thus positions abstraction as a critical tool for reimagining presence, belonging, and ecology. 

In her images, the environment is not backdrop but agent; each surface carries the weight of memory and the possibility of transformation. Her practice expands the possibilities of photography, proposing it as a field where history and landscape converge, and where vision itself becomes a form of resistance. 

Giovanna Gomes – Exhibition Catalog

Immerse yourself in the full catalog of her exhibition at Saphira Ventura Gallery.

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